
METROPOLITAN
Brandon Shane
          It's morning and a blue jay  
          drowns in an ink pond, and the woman  
          across from me is talking to her dead son  
          as if he were plain to see; we are all guests  
          in this humid bus, like strange cats nesting  
          in hay filled barns, flowers defying all odds  
          no one has the gall to pull, and the city is dense,  
          but sometimes you get a glimpse  
          of the natural world pounded by skyscrapers,  
          freeway smog, chemicals overflowing gutters,  
          old men telling stories of their young machines  
          as they smoke cigarettes and drink whiskey  
          with their dirty guitars, and the delicate  
          things they tuck away, pounding their chests  
          with enough juice to forget their hearts,  
          too weak for intimacy, afraid of mockery,  
          as their children rebel from heteronormativity,  
          and I rinse my eyes with all the tears  
          that should have fallen on these sledgehammer  
          days melting asphalt, swinging into concrete walls,  
          playing a dusty piano to an audience  
          just as caged, and a haggard thing stares  
          at me with pity; my head lowered in shame,  
          all these damn books wasted; veins thick  
          with enough coffee and bread to feed Paris,  
          payday's celebrated with garlic and rice;  
          all this talk of cash, stocks, retirement,  
          is maddening beyond gunshots at midnight,  
          and kids are living in rusty cars, filling parking lots,  
          some have chosen to steal from the already poor;  
          I think of the woman carrying buckets on her head  
          in a war-torn desert hot enough to steam water,  
          and a brilliant pig laughs, unwise to the slaughter;  
          I shove it all down, as the cranky door opens 
          to a street known for hot slugs and metal sticks;  
          construction workers are having a go at booze,  
           ugly apartment block is being propped up,  
          and new recruits are working stained corners  
          unaware of the burials, unaware of the graves;  
          I sold out to big education long ago,  
          but sometimes return to my childhood  
          and remind myself where it began,  
          having progressed a single jog  
          towards the ocean.
Brandon Shane is a poet and horticulturist, born in Yokosuka Japan. You can see his work in the Argyle Literary Magazine, Berlin Literary Review, Acropolis Journal, Grim & Gilded, Heimat Review, York Literary Review, The Mersey Review, Prairie Home Mag, among many others. He would later graduate from Cal State Long Beach. Find him on Twitter @Ruishanewrites

