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IN RHODE ISLAND

Michelle Li

When I was younger, I thought about love

as though I owned it. Before she died, 

my great-aunt was my favourite. We talked 

about the cows outside the train windows while on vacation 

and they waved back. These days, I think 

about my past, unbridled; how the rolling hills outside the windows

whittled down into horizon will not stop; how any small meaning

has eluded me countless times, and hurt me since. I bruise 

easily, like fresh peaches dusted with morning 

dew, fleshy centers raw. I told my mother that it was only my first time 

alive and she said it was only hers too. Back in my mother’s motherland, 

I think of our final destination, yi lao, past the mooing cows 

that look longingly at the night train hurtling itself into the dawn; 

to the beach where the birds are beginning to sound 

their morning caws, white-feathered, breathing, and rising above

the warm sea. I am beginning to remember my beginnings now, 

beginning to love home. I only ask for enough time to make sand angels 

under the sundusk sky and the summer more than 

just a poem. Hold me close and I imagine you're still alive

because I love you. Sometimes, the world appears to be no longer 

mysterious to me anymore.


Michelle Li has been nationally recognized by Scholastic Art and Writing, The Waltham Forest Poetry Contest, and the Rising Voices Awards, and is published in Blue Marble, Masque and Spectacle, and Lumina Journal. She is an alumnus of Kenyon Review's Workshop, plays violin and piano and loves Rachmaninoff and Sylvia Plath.

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