
IN RHODE ISLAND
Michelle Li
When I was younger, I thought about love
as though I owned it. Before she died,
my great-aunt was my favourite. We talked
about the cows outside the train windows while on vacation
and they waved back. These days, I think
about my past, unbridled; how the rolling hills outside the windows
whittled down into horizon will not stop; how any small meaning
has eluded me countless times, and hurt me since. I bruise
easily, like fresh peaches dusted with morning
dew, fleshy centers raw. I told my mother that it was only my first time
alive and she said it was only hers too. Back in my mother’s motherland,
I think of our final destination, yi lao, past the mooing cows
that look longingly at the night train hurtling itself into the dawn;
to the beach where the birds are beginning to sound
their morning caws, white-feathered, breathing, and rising above
the warm sea. I am beginning to remember my beginnings now,
beginning to love home. I only ask for enough time to make sand angels
under the sundusk sky and the summer more than
just a poem. Hold me close and I imagine you're still alive
because I love you. Sometimes, the world appears to be no longer
mysterious to me anymore.
Michelle Li has been nationally recognized by Scholastic Art and Writing, The Waltham Forest Poetry Contest, and the Rising Voices Awards, and is published in Blue Marble, Masque and Spectacle, and Lumina Journal. She is an alumnus of Kenyon Review's Workshop, plays violin and piano and loves Rachmaninoff and Sylvia Plath.