
I KNOW WHAT KEEPS
ME UP AT NIGHT
Prosper Ìféányí
my OCD has me counting the floor tiles at night.
I am not liking the flip-flap-flop of my slippers
against the concrete, but what divine thing can I do
with the arrow of my tongue? something fills my bones
with forceful music. I watch people paint the air
with flowers and think of the unfamiliar hymn hidden in
their fragile mouths. my heart aches, and I wear
my dissatisfaction with the world like a mushroom
wears its spongy hat. you think of tomorrow, I think of charmless
worries: a cushion just sitting an inch away from table.
the tired wallclock slowly paddling its oar into a white noise.
bread crumbs waiting for the lambent palm to sweep
them into a bin. detail. the detail I pay to everything.
everything ripples and ripples in half until I am lost in
the frantic music. but don't we all have such unreasonable
fears? sometime ago, a boy punched me in the face
because I couldn't help but knock down a bug nested
on his cheek. there is nothing here that hasn't been
touched by carefulness; there's this voice inside me that says
there is a place for people like me somewhere—in the pocket
of the sky. I touched my face, and nobody was there.
I kicked and kicked against the shelves and everything,
but the voice, was spinning. the grasses sprouted blades.
the boxes developed high shoulders. a car leaped from the
low sky and dropped dead on my mother's cat.
the windows lessening with each scream hurled at it.
my mother violently shaking the holster of my body, but
not the voice in my head— and all I could whisper was:
the stove. my stove. I think I turned it on. I think I turned it on.
With a phrase from the poem, "Wednesday Poem" by Ernest Ogunyemi
Prosper C. Ìféányí writes from Lagos, Nigeria. He was a finalist for the 2024 Greg Grummer Poetry Prize from Phoebe Journal; his works are featured or forthcoming in The Offing, Salt Hill Journal, Obsidian, ANMLY, Black Warrior Review, Lolwe, Uncanny Magazine, Denver Quarterly, New Delta Review, the Oxonian Review, 20.35 Africa and elsewhere.